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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Dream Attack Drum Machine – Demo

Dream Attack Drum Machine – Demo

Dream Attack Drum Machine

“Demo”

Dream Attack Drum Machine – Demo

The Perfect blend between Post-punk, emo and 80s sound. If you grew up listening to 80’s classics and spent part of your teenage years listening to emo music, you’ll probably love Dream Attack Drum Machine.
Heavy bass, energic drum machines, evolving synth sounds and simple guitar lines all together with two vocal lines, keep everything together. It’s not just emo, it’s fueled by the post-punk attitude and the lyrics are straight from the black book.

Synths, lyrics, bass, guitar, vocals and drum programming: Alaskaapenas

https://headshrinkerrecords.bandcamp.com/album/demo-3
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posted 23 August 2026

90 – Stuck

90 – Stuck

90

“Stuck”

90 – Stuck

3 kickass songs from the band 90, you like noise? You love rocknroll?
Oh, this release is for you! 3 total different tracks, but with the same feeling!
Madness rocknroll spirit!

Recorded at 90’s rehearsal space.

Mixed and mastered by Lars Hilmar Völkerling.

90 are:

• Tom Lorenz – Guitar, Vocals
• Manuel Krassnig – Bass, Vocals
• Lars Hilmar Völkerling – Drums

All songs written and composed by 90

https://headshrinkerrecords.bandcamp.com/album/stuck
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posted 23 August 2026

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus

“Primitive Rock And Roll / Satan’s Theme”

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus Split
Primitive Rock And Roll is the first song to be released from Hiro & The Nakarumas a band formed from fans of the series Heroes, raw fast energy and intense vocals.
Satan’s Theme a original song released in 1961 by The Rondells get a new spooky like by the hands and claws of Nite Impetus!

Track 1:
Vocals – A.Nakaruma
Guitars – M.Nakaruma
Bass – T.Nakaruma
Drums – J.Nakaruma

Track 2:
All instruments by Johnny(Nite Impetus)

https://headshrinkerrecords.bandcamp.com/album/primitive-rock-and-roll-satans-theme
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posted 23 August 2026

SPTW – EUTHYMIA

SPTW – EUTHYMIA

SPTW

“EUTHYMIA”

SPTW – EUTHYMIA

released August 21, 2026

SPTW (Some Pretend to Whisper) is the crossroad where sound collagists Perkin Warbek and Stakha meet.

“Delicately mistreated samples, warped instrumentations, repeated loops, liquefied vocals, scraps of arrangements here and there, abstract swarming, analog tape textures and a few minimalist beats cleverly distilled from hip-hop influences… these are some of the ingredients used by Some Pretend to Whisper to shape its strange daydreams”

EUTHYMIA is SPTW’s long-lasting effort to overcome mental issues so as to reach peace and stability in a more and more fragile and inconsistent world. These 12 tracks should be viewed as a time-capsule reflecting the inner thoughts and feelings of its two members whilst keeping their heads above deep water.

EUTHYMIA is the long-anticipated follow up to their debut on Mahorka, At the Foot of the Ladder, from 2024.

All beats: SPTW a.k.a. Some Pretend to Whisper (Perkin Warbek and Stakha). NO AI generated. SP404 MKII + MPC 2000XL, tons of records, and pencils, desks and bottles as weapons of thought.

Programming and editing: Perkin Warbek
Keys / Bass by Stakha on tracks 5, 7, 9, 10
Vocals by Stakha on tracks 2, 5, 6, 8, 9, 10, 11
Vocals by Misty on track 2
Track 10 edited and mastered by the grand wizard Asteroide Maravich
Guitar and vocals by Asteroide Maravich on track 10

sptw.bandcamp.com

Thank you: “SPTW would like to express their greatest love to our families, friends (The Schipper-Tournier family, Deborah, Naïs, Yasmine), our dear neighbours who put up with our sound making (!) and our beloved cat Misty. Special shout out to Ivo Petrov and Mahorka for believing in our project throughout the years, Asteroide Maravich for his constant help and emotional support, IVRO and True Flav.”

https://mahorka.bandcamp.com/album/euthymia
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posted 21 August 2026

Autonomaton – Collected not lost 2015-2025 vol.2: ambient and melody

Autonomaton – Collected not lost 2015-2025 vol.2: ambient and melody

Autonomaton

“Collected not lost 2015-2025 vol.2: ambient and melody”

Autonomaton – Collected not lost 2015-2025 vol.2: ambient and melody

“Collected not lost” is a decade of Autonomaton’s work, outside of LPs and EPs, collected. The music was released in the period from 2015 to the end of 2025. It’s done mostly through dubbing and overdubbing sound approaches. Both computer and hardware were used. Programmed or live. The tracks included have been released mostly on VA collections of works, through various online labels from around the globe: Animal Breaks (BE); Ohm Resistance (USA); Treetrunk (USA); DIGITAL DIZZY (UK) – dismissed; EcoSci (BG); eden.deeply (AU); Linear Obsessional Recordings (UK); Petroglyph Music (NOR); Studio 4632 (USA) – dismissed; Cian Orbe (CL); We are all ghosts (UK); Cousin Silas Emporium (UK); Doomcore Records (DE); L.O.T.R (FR); Attenuation Circuit (DE); Mahorka (BG); and couple of self-released entities. Included are various (re)mixes, versions and rebuilds for different artists like Cousin Silas, Passenger of Shit, Mystfied, Emerge!, Protuberance, Teeth of Divine and couple others. These three albums will take you mostly through 3 aspects of Autonomatons sound – teknoiz, ambient drone and dub breakz, reflected also in the title of each volume. The music on the albums will follow this trajectory, starting with noises and drones, then turning to more fluffy ambient and in the final chapter entering the zone of dub and breakz.

All music couresty of Nikolay Stanchev a.k.a. Autonomaton

Track 11 – sounds by Orbital
Track 12 – samples by Thomas Park

https://mahorka.org/release/504
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posted 18 August 2026

Autharktos – Ollaolematused olemataolemises

Autharktos – Ollaolematused olemataolemises

Autharktos

“Ollaolematused olemataolemises”

Autharktos – Ollaolematused olemataolemises

The Necrophile Hummingbird Non-Profit netlabel presents Ollaolematused olemataolemises by Autharktos.

“Mystical Noise for Cosmic Lovers”

The slightest word would blow up the veil of the mystery, so…
Silence is golden… and music quicksilver !

1) Peahoogutuuleeaaa
2) Atrktiline thuzzumulgu
3) Ei ole Kevin S vaid Toruperanuur
4) Hooga Poogu Loogu
5) Surnud hinge rigiidne ego
6) Vaba tahe maha lahe
7) Valjavalitud kongevad keevas roojas

Cover print by Erki Kasemets
https://cca.ee/en/artists-database/erki-kasemets

Autharktos are:
Uno Kassius – electronics, drones, improvisation
Jammu Tyche – electronics, loops, samples, improvisation, noises, rhythms, effects, recording
Meho Verhul – tape manipulations, improvisation, samples, noises, rhythms, effects, recording, post-production
Dominik Kuus – electronics, drones
Maude Tenne – effects, noises, recording
Ain Teep – tape manipulations, recording, effects
Neil Sung – rhythms, noises, effects, improvisation
H.P. Kraft – rhythms, improvisation, electronics, noises, effects, loops, recording, post-production
(and many others)

Dedicated to Kosmische Demiurg

https://archive.org/details/autharktos-ollaolematused-olemataolemises
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posted 17 August 2026

Amayadori Cafe – Oyasumi days

Amayadori Cafe – Oyasumi days

Amayadori Cafe

“Oyasumi days”

It is another new release in the MiMi Records catalogue. Oyasumi Days, the new album by Amayadori Café, is like a little music box discovered just before falling asleep.

Between toy music, ambient and indie electronica, each track transforms delicate sounds into tiny imaginary landscapes, where toys seem to come alive after the house has fallen silent.

With its handmade simplicity and minimalist sweetness, the album drifts through naïve melodies, microscopic rhythms and warm, welcoming electronic textures.

Oyasumi, meaning “good night” in Japanese, becomes an invitation to switch off from the world, close your eyes, and enter a universe where childhood, dreams and music still play together.

https://mimirecords.bandcamp.com/album/oyasumi-days
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posted 14 August 2026

Various Artist – DOOM / A Creative Commons Music Compilation

Various Artist – DOOM / A Creative Commons Music Compilation

Various Artist

“DOOM / A Creative Commons Music Compilation”

Compiled, artwork collage: Sábila Orbe.

//// Each track composed by the respective artists. Links:
– noxpox: https://noxpox.bandcamp.com/
– Black Market Brains: https://soundcloud.com/blackmarketbrains
– Lunar Eclipse: https://soundcloud.com/lunar_eclipse5150
– Amberdrake: https://soundcloud.com/amberdrake-384392657
– The Nemesida: https://nemesida.bandcamp.com/
– Zazie Productions: https://zazieproductions.bandcamp.com/
– Stepan Gradoboev: https://archive.org/details/@stepan_gradoboev2007
– BouncyTEM: https://bouncytem.bandcamp.com/
– Pere: https://soundcloud.com/pere-670977991
– Sonvol: https://archive.org/search?query=creator%3A%22Sonvol%22
– Topi Reta: https://topireta.bandcamp.com/
– el_masmore: https://elmasmore.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/

https://archive.org/details/va-doom-a-creative-commons-music-compilation
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posted 14 August 2026

Noosa Sound System – Rhizomatic

Noosa Sound System – Rhizomatic

Noosa Sound System

“Rhizomatic”

Noosa Sound System – Rhizomatic

With ODrex Trip 069 we welcome another new member to the family, Noosa Sound System! He brings us on an excursion of various dub techno, deep and chill selections titled Rhizomatic. A voyage that branches out in several variations and originals. Back to the Roots :)
Mitwirkende
veröffentlicht am 29. Juni 2024

W+P By Noosa Sound System
Photography By Moolsaasa
Artwork Twin Peetz
Mastered By Twin Peetz

https://odrexmusic.bandcamp.com/album/rhizomatic
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posted 12 August 2026

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato

“]ex(s)it(u)[“

Leonardo Barbierato – ]ex(s)it(u)[
]ex(s)it(u)[ emerges from a gesture of displacement. The album gathers excerpts from [in situ], a series of site-specific, improvised music performances carried out between 2023 and 2025 within ecosystems marked by various forms of tension and precarity. During [in situ], performative and environmental sounds meet and overlap, generating space-times of cohabitation, not necessarily reconciliatory, between human and other-than-human elements.
https://emerge.bandcamp.com/album/ex-s-it-u
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posted 06 August 2026

Vitor Rua – Where The Sound Learns To Breath

Vitor Rua – Where The Sound Learns To Breath

Vitor Rua

“Where The Sound Learns To Breath”

Vitor Rua – Where The Sound Learns To Breath

Some music occupies time. This album attempts to return it.
Where The Sound Learns To Breathe emerged from a single, uninterrupted real-time performance, without edits or overdubs.

A Steinberger guitar, transformed through the Mood, Tensor, Hologram and Cosmos pedals, becomes more than an instrument: it unfolds into an ecosystem where every resonance gives birth to the next, as though sound itself were slowly learning how to breathe.

The three pieces tell no story and seek no destination. Instead, they open a place. A place where duration regains its depth, where listening steps away from urgency, and where silence becomes part of the music’s living substance rather than the space between events.

The music unfolds at an almost geological pace, allowing subtle shifts of timbre, texture and resonance to reveal landscapes that exist only for as long as they are being heard.

This record is an invitation to suspend, for a while, the accelerating rhythm of contemporary life, and to allow the air to keep listening long after the final sound has faded.

https://mimirecords.bandcamp.com/album/where-the-sound-learns-to-breath
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posted 03 August 2026

Me In The Bath – Oldies Never Recorded Before

Me In The Bath – Oldies Never Recorded Before

Me In The Bath

“Oldies Never Recorded Before”

Me In The Bath – Oldies Never Recorded Before
With this album, Me In The Bath jailed itself into an interesting concept : record exclusively never-recorded-before oldies, all of them being written by the one-man-band’s frontman at the turn of the millennium, too late for being played in a band with what is known by the sheerest specialists as “Gorbie’s Stuff first era”, a band that existed briefly and never released tracks, and the birth of Beatles II. Most if not any of these 6 tracks were left at the state of rough melody just playing inside Shangri-l’s brain while working on loading luggage inside planes at an international airport. 8 tracks were planned initially, but the leftover two ones are defined by the band (in the Musique Libre forum) as “problem tracks”, and finally only 6 are this release, which had been recorded and unveiled track after track since 2024, until the last one got recorded on time for a Netlabel Day 2026 release. Note that “Friend Jerry” has got its music video.
https://cremroad.com/?album=Oldies+Never+Recorded+Before
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posted 02 August 2026