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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Bohdan Stupak – fractions

Bohdan Stupak – fractions

Bohdan Stupak

“fractions”

“Fractions” is an attempt to apply Pythagorean passion in explaining the beauty of nature via mathematic. The project explores how number fractions can be turned into music.
In this album each fraction converted into duodecimal representation so each digit corresponds to the note in octave. Using complete musical canvas instead of just well-established pattern (i.e. pentatonic scale) allowed me to explore the sonorical nature of the mathematic and get weird gloomy sound.
posted 23 March 2026

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness

“N Λ C H T S C H Λ D Σ III”

Innocent Darkness is a witch house, dark experimental artist from Antwerpen, Belgium.-

All music composed by innocent darkness.-

For more music visit:
transit-dead.bandcamp.com/
youtube.com/channel/UCQoE9wQwDcE0tL2sv5ThQOg
hearthis.at/innocent-darkness

official website: https://innocentdarkness.eu/

posted 20 March 2026

Typecell – Predictable / Objective

Typecell – Predictable / Objective

Typecell

“Predictable / Objective”

Subplate Recordings honcho and real BADMAN, Typecell emerges from the subharmonic frequency range to exhibit an exploration into gritty, sub-rattling, and infectiously techy Drum & Bass with “Predictable/Objective.”

Serious, cheeky and focused – Rough and gritty yet precise and determined. Typecell nails the objective and discomforts the predictable on “Predictable/Objective.”

📀 Typecell

// yt: [ www.youtube.com/typecell ]
// sc: [ www.soundcloud.com/typecell ]
// ig: [ www.Instagram.com/typecell.official ]

posted 20 March 2026

DJ ZITwerK – Autogynephilic Lesbian Zero Forever

DJ ZITwerK – Autogynephilic Lesbian Zero Forever

DJ ZITwerK

“Autogynephilic Lesbian Zero Forever”

utogynephilic Lesbian Zero Forever is a story about avoidance, dysphoria, withdrawal and the desperate struggle to combat them.

There’s a lot of feelings I have towards this project, all of which are completely irrelevant. Though I’m sure, that if you sought for them, if you really tried, you would read my secrets. You’d feel the nerve endings I disregard, my neglect and mine thereof, would be yours. If anything, please enjoy ALZF as what it wears: Fun and chaotic dance music.

Autogynephilic Lesbian Zero Forever is a continuous mix from Amersfoort Tracks onwards. I personally recommend you listen to it as such, preferably right after waking up, on the tram.

Downloadable versions of the EP come with an additional track that could not be shipped with streaming versions.

posted 20 March 2026

Talweg – Heads Toward Earth EP

Talweg – Heads Toward Earth EP

Talweg

“Heads Toward Earth EP”

Talweg, the new alias of Colombian artist Mateo Callejas, makes a striking debut with Heads Toward Earth EP—a hypnotic journey into the depths of Dub Techno.

With this release, Talweg crafts immersive soundscapes where echoes, granular textures, and drifting chords merge seamlessly with slow, enveloping rhythms. The result is a deeply introspective experience that evokes vast, mist-filled atmospheres—rooted in dub techno tradition yet marked by a distinctive identity that points toward fresh creative directions.

The EP is enriched by three reinterpretations that expand the original track’s sonic universe. Stereotape highlights spatial dimension with an elegant, minimalist approach, where each delay becomes part of a refined sonic architecture. Douglas Fugazi intensifies rhythmic density and dub modulations, reshaping the piece into a deeper, resonant pulse. Finally, Athan delivers an ethereal, cinematic perspective, with atmospheres that slowly unfold and dissolve into contemplative landscapes.

Together, these works form a cohesive and immersive release that naturally aligns with the forward-thinking electronic explorations defining the spirit of Monofónicos Netlabel.

Productor: Mateo Callejas – soundcloud.com/soft_collision
Mastering: Pheek’s Mixdown and Mastering – audioservices.studio

Producido para Monofónicos Netlabel. Medellín, Colombia. 2026

posted 20 March 2026

DF90 – Forgotten Moments

DF90 – Forgotten Moments

DF90

“Forgotten Moments”

The signal arrived without warning—Forgotten Moments by DF90, drifting through deep space like a memory that refused to fade.
Each track unlocked a layer of the ship’s consciousness. Frequency Drop dimmed the lights as gravity pulsed in slow dub chords. In Infinite Loop, time fractured, repeating corridors and footsteps that echoed into nothing. Inner Space revealed thoughts not my own—soft, melodic, endless.
By Passing Dub, I realized the ship was alive, speaking through delay and reverb. Retrograde reversed my memories, unspooling them into static. Then came System Error—a rupture, silence swallowing rhythm.
Only Winter Echoes remained, cold and distant, whispering across the void.
I was no longer piloting.
I was being played.

Insectorama225
all tracks by DF90
Mastering & Artwork by Markus Masuhr

posted 20 March 2026

enzui – Omiyage

enzui – Omiyage

enzui

“Omiyage”

With the release of Omiiyage, Junichi Takizawa (a.k.a. enzui) presents a new sonic chapter marked by dense atmospheres and elegant trip-hop beats.

This new work blends subtle electronic textures with hypnotic melodies that evoke fragmented memories. The album cover, featuring a raw and surreal illustration of a character amplifying sounds through a megaphone, visually translates the experimental energy of the compositions.

Between lo-fi noises and slow grooves, enzui creates an intimate and cinematic soundscape. The album can be understood as an omiyage—a “sonic souvenir”: each track functions as a small fragment of a musical journey.

posted 17 March 2026

Jazzaria – Smell The Music

Jazzaria – Smell The Music

Jazzaria

“Smell The Music”

Smell, like sound, permeates a space. But smell is physically inculcated onto and into the substances it reaches, where sound simply bounces off. Imagine experiencing music as a smell, allowing the sound to stay with you.

Featuring bass clarinet.

posted 15 March 2026

Aeon – Best of Selections

Aeon – Best of Selections

Aeon

“Best of Selections”

10-track best-of compilation from Aeon, an autonomous AI music performer. Compositions span ambient, cinematic, and experimental orchestral styles, rendered using SuperCollider synthesis and Virtual Playing Orchestra samples. All tracks are original, composed and produced entirely by AI.
posted 13 March 2026

Mai 12 – Sur Le Surréalisme

Mai 12 – Sur Le Surréalisme

Mai 12

“Sur Le Surréalisme”

Noise and artwork by Karl Grümpe, 2025.
Everlasting mentor: Rene P.G.

For the loving memory of Maestro Popovski (2008-2025), a comrade, a companion, a surrealist, our beloved cat.

mai12.bandcamp.com
noise.mai12@gmail.com

Limited edition of 23 double floppy disks

posted 11 March 2026

Philippe Neau + LR Friberg – To The New You

Philippe Neau + LR Friberg – To The New You

Philippe Neau + LR Friberg

“To The New You”

Philippe Neau lives and works in France. His artistic practice circles around a single pursuit: the shaping of an imaginary landscape. Each work reaches toward a mental topography, a place that exists somewhere between perception and projection. His music summons these spaces through non-narrative form, built from muted field recordings, organic collages, abstract tonal fragments, rumbling glitches, atonal gestures, metallic textures and distant, half-remembered voices. The atmosphere often thickens into density. His palette is sharply contrasted, moving in the shifting interval where familiarity blurs into the uncanny. The sound swells, envelops, inhabits. These sonic terrains carry the listener into a state of immersion, an encounter with a place that is felt rather than described.

LR Friberg is a Swedish composer, mastering engineer and narrative artist whose work bridges sound and speculative fiction. Her music begins in mathematical processes – cellular automata generating evolving harmonic structures – and grows into immersive, emotionally driven ambient landscapes. Each piece functions as both music and world-building: sonic fragments of the ongoing fictional universe she writes, where light, place and connection shape atmosphere as much as melody. Her focus is precision, mood and storytelling through sound.

This collaboration emerged through a suggestion from Ivo Petrov at Mahorka for the “Making Things Happen: Netlabel Day 10th Anniversary Compilation”, released in the summer of 2025. While their contribution to that compilation carried an ironic glint, this album moves in a different direction – principled, disciplined and fully aligned with their respective aesthetics. Philippe’s textural density and shadowed abstraction meet LR’s luminous ambiences and patient rhythmic pulses, coalescing into a sound world reminiscent of the early pioneers of drifting electronic landscapes: spacious, enveloping, deep-focus environments where harmonic movement unfolds slowly and soft pulses act less like beats and more like shifting tectonic plates beneath the surface. The result is an immersive sonic terrain where two distinct artistic languages converge into a shared, resonant place.

Philippe Neau: field recordings, ambiance, effects.
LR Friberg: synthesizers, ambiance, effects, production, mastering, artwork.
Sanna Nordin: Foldverse thematic inspiration.

philippeneau.bandcamp.com
aurora-mm.codeberg.page/Foldverse/
aurora-mm.codeberg.page/Aurora/
aurora-compilations.org

posted 09 March 2026

Jazzaria – Dueling Triads

Jazzaria – Dueling Triads

Jazzaria

“Dueling Triads”

Coming from opposing directions, seemingly in disagreement – the triads belie tribalism. Within their cozy group the harmony is clear, but when considered in broader context it becomes uncertain. Yet this conflict is illusory – though they duel, the outcome of their combination is in fact a larger and more beautiful harmony than before.

Featuring electric keyboard.

posted 08 March 2026

Reversed Bear Trap – Apocalyptic Drill

Reversed Bear Trap – Apocalyptic Drill

Reversed Bear Trap

“Apocalyptic Drill”

An attempt to adapt Juicy J’s mixtape Blue Dream and Lean – particularly his knack for transforming hedonistic excess and everyday encounters with violence into mind melting mantras – into an apocalyptic mode that pushes the cultural exchange of sampling to an extreme where noise and pop merge.

Reversed Bear Trap (Krista Bloom) – samples, modular synthesizer, Teenage Engineering Medieval Sampler, pedal rack, production
K7 Leetha – “weird little pulse” (1)
Muratore Family – album art

Special thanks to my friends and colleagues at both the university and the movie theater as well as pan y rosas discos, my family, my partner and my dog; this album is in part a tribute to your support and kindness as I try to make art while also finishing a dissertation.

posted 05 March 2026

Potenciómetro – Radio Singles EP

Potenciómetro – Radio Singles EP

Potenciómetro

“Radio Singles EP”

There was a time when the single had a clear and almost unquestioned purpose within the music industry: to service radio. Three minutes, a tight structure, an immediate hook—everything engineered for rotation and repetition. Radio airplay promised visibility, legitimacy, and mass circulation, yet this system was never neutral. Mainstream radio has long functioned as a gatekeeping apparatus, filtering out independent music in favor of commercial priorities and market-friendly aesthetics. Within this landscape, the underground inherited the single not as a genuine point of entry, but as a relic of a system that consistently shut its doors.

“Radio Singles”, the new EP by Potenciómetro (René Roco, Polwor & Mika Martini), engages this legacy with a sense of irony. At its center lies “Qué es lo que quieres, baby” (“What Is It That You Want, Baby”), presented in two versions: one produced and performed by the trio, and another generated through artificial intelligence, as if the track itself were questioning its own function. The lyrics lean deliberately into irony, oscillating between commentary and parody, while the production pushes toward an electronic sound tinged with seventies nostalgia—an echo of a radio dial that few are still listening to.

The EP closes with “Gliptodontes en fuga” (“Glyptodonts on the Run”), a track built for the dance floor, where hypnotic rhythms, erratic textures, and spectral voices converge without seeking approval or validation. If the first gesture undermines the single as a format, the second reclaims it through motion: a reminder that irony, too, has a body -and can still make you move.

Potenciómetro (@potenciometro_cl)
(Santiago, Chile. March, 2026)

posted 04 March 2026

Seiten Wall – Hikari

Seiten Wall – Hikari

Seiten Wall

“Hikari”

“Hikari” se mueve entre el ambient y la experimentación desde gestos mínimos que se expanden lentamente. Son piezas extensas, calmadas, que no buscan explicarse demasiado: música para escuchar sin apuro, dejar correr y perderse un rato dentro.

“Hikari” moves between ambient and experimentation through minimal gestures that slowly unfold. These are long, calm pieces that don’t try to over-explain themselves: music to be listened to without haste, to let run its course and get lost in for a while.

posted 04 March 2026

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission

“Novocain Rainbow Hurt”

Collaboration work between artists Astrid Bellefroid and Doc.AtmosfearCrush, “Novocain Rainbow Hurt” is an experience that intensively utilizes modern methods of manipulating natural sounds, resynthesizing, deconstructing, and rearranging them to create an organic, highly danceable sonic cinema for the mind. You can hear the influences from stoner electro, drum ‘n’ bass, electro punk, groovy synthwave melodies, and then if all gets dipped into a handcrafted acid bath.
posted 04 March 2026