“When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians.”