about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

organon contemporaneous & Lärmschutz – QETESH

organon contemporaneous & Lärmschutz – QETESH
[ACP 1353]

organon contemporaneous & Lärmschutz

“QETESH”

In a multidimensional way through sound search and deepening of temporal and atonal of different sounds reproduced acoustically and electro-acoustically. The temporal relations come from different forms of sound treatment, from the outset. During the process have used distended techniques, growth and development of solo processes and group music having as premise the articulation between different sounds being them of that provenance.
temporal level that intercedes on the micro-,and macro-scale levels of the consubstantiation of sounds in their morphological dimension. being its atonal profusions resulting from the addition of timbric layers that, in their relationship arising from a psycho-semantic relationship held by different instrumentalists, covers the scope through which different instrumentalists make music, the search for exploring the limits of exploration of their own instruments.
Button: by
posted 05 July 2022