Any proceeds from this album will be donated to the Palestine Children’s Relief Fund: www.pcrf.net
You can also donate directly here: pcrf1.app.neoncrm.com/forms/gaza-recovery
WE significa Peores Enemigos (Worst Enemies) y es un paisaje sonoro elaborado únicamente con audios de retransmisiones de canales de noticias de algunos de los tiroteos masivos ocurridos en Estados Unidos en los años 80s y 90s. WE es un collage sonoro que evoca desesperación y violencia, crea un estado de ánimo oscuro y pretende inquietar y conmover a quienes escuchan hacia el reino del caos que emerge de las situaciones sociales que sirven de muestra sonora y visual. Un álbum para exorcizar la influencia de la propaganda estadounidense.
WE stands for Worst Enemies and is a soundscape elaborated solely with audio from news channel broadcasts of some of the mass shootings that occurred in the United States in the 80s and 90s. WE is a sound collage that evokes despair and violence, creates a dark mood and intends to disturb and move the listener into the realm of chaos that emerges from the social situations that serve as sound and visual samples. An album to exorcise the influence of American propaganda.
Sara Amor
(São Paulo, Brasil. Octubre / October 2024)
www.abstraktreflections.net/releases/va-vision/
The mysterious “Great Artist” is none other than one of Nuno Maltez’s (a.k.a. Fm-Ra, Klyven) alter-egos, and now he brings us a new album of ambient electronics, with sounds blowing in various directions.
Nine themes focused on I.D.M. electronics, but also on repetitions and sound layers.
This is one of those albums that is perfect to listen to while traveling, whether literally or figuratively, so relax and put on your headphones.
A black drone ambient album inspired by traveling in the wilderness
Anton: guitars, drums, synths, samples, mixing and mastering
Martynas Laurids: keeper of the goat skull, art direction
Released September 21, 2024 as free (cc) download and beautiful limited edition digipak CD.
“This, our second album, is a collection of synthesized short pieces.
Whether you deem them abstractions due to their strange harmonic contents, or figurative of strange places, is up to you. The key word here is “atmosphere”. They convey no message, they were not created with any intent.
In saying what they’re not, we’re saying they are pure imagination at play. They deal with mental images and perceptions, before language creates order – and falsehoods – out of the plasma of free association.
During their making we never discussed them, bar a few technical points ; never defined them, never worded anything. We never ever mentioned we were actually “doing” them, and really discovered them afterwards.
Of course, we will never succeed in saying nothing. We’re subjects. And the very fact we have to write something about it is the heart of the paradox. But at least we can try. We all deserve a good vacation from meaning. There are other forces at play, like sound.”
released September 22, 2024
Precise and detailed calculations can be unnerving – unerringly uncanny results we know are right, yet feel are somehow off. The universe is parsimonious, and so we expect pithy causes and succinct structures. But information has layers – apparent complexity underlies organization that our intuitions may miss.
This 29/16 track features synthesizers, acoustic guitars, bass guitars, piano, and effects.
Recorded live with drums, modified hard disks/wwii dynamo bass, circuit bent fx , synnths & devices
Ninth Bit is
Psychiceyeclix – Electronics
Lucas Wright – Drums
Recorded by Ninth Bit
Mixed/Mastererd by Psychiceyeclix
live @ ultrablack interference of mille plateaux
Cologne, July 27, 2024
Wilfried Hanrath: live guitars and effects
The Necrophile Hummingbird netlabel presents I Joyfully Await The Exit by Yoshiwaku.
“Suicidal Music for full of Hope People”
Live improvisation recorded in July 2024 at the Cave Haven in Foucherans.
This is a kind of tribute to Frida Kahlo.
en.wikipedia.org/wiki/Frida_Kahlo
Beware If you are fragile avoid to listen this, because it’s quite heavy material. Suicide is a no return operation, think twice before to exit.
If you know what you are looking for turn off the light and listen loud.
Special thanks to the Studio112’s urban explorer for the sleeve photography.
Note that the quote on Bizarre Death Wish is not by Frida Kahlo but Rebecca Martin.
Same thing for Viva La Vida…
Dedicated to those conscious that they are human viruses and prefer persevere to survive because they know that staying in this world will change it at some point. Well, never give up. And you will see the dawn.
This album and all the albums of the netlabel are now on air on the Internet Radio Free Albemut h o r s n o r m e
http://www.horsnorme.org/Radio_Free_Albemuth/
Following the spectral echoes of “Drifted Vol. 1” (on AFTER AFFECTS REC, France), Wahn returns, debuting on Mahorka, with “Drifted Vol. 2”, a deeper plunge into the abyss where despair looms heavier, yet faint glimmers of hope still emerge like distant stars in an endless night. The soundscape is darker, more cinematic, with grainy textures crackling like fractured memories. Lush, slow-motion atmospheres stretch into the void, embracing the listener in a weighty melancholy, where piano keys occasionally pierce the darkness like fragile rays of light, offering fleeting moments of solace.
In this second chapter, Wahn pushes deeper into the balance between hopelessness and the persistence of light. Cinematic undertones weave through the tracks, amplifying the immersive sense of narrative. The sub-bass resonates like a rumble from the earth’s core, making the body itself an instrument in this journey, grounding the ethereal melodies with a tactile, visceral presence. The ambient realms are thicker, more haunting, yet at times they break open to reveal a brief but tender embrace of warmth. Each track unfolds like a slow, mournful exhale, drawing the listener deeper into an intimate dance of sorrow and fragile hope.
Join Wahn as he continues this odyssey, where textures grow darker, the light more elusive, and the journey more introspective. Drifted Vol. 2 is a cinematic exploration into the profound depths of despair, with sub-bass vibrations and fleeting moments of light that make the experience as physical as it is emotional.
Composed, produced and mastered by Wahn
Artwork : Erwan Charier
soundcloud.com/Wahn
Released September 13, 2024
